My theater designs utilize a mixture of my own still photography, live and prerecorded video, and custom motion graphics.
Click on any of the links to the left to see production photos.
Produced by The Lyric Stage Company of Boston
Directed by Spiro Veloudos
One 10,000 lumen LCD, one 5000 lumen LCD and two 5000 lumen DLP, image mapped to irregular scenery
Controlled by Dataton Watchout 5
Produced by the Boston Lyric Opera
Directed by Michael Cavanagh
Two Christie HD10K-M 10,000 lumen DLP, edge blended
Controlled by Dataton Watchout 5
Produced by Brandeis Theater Company
Directed and Choreographed by Susan Dibble
Original Sculptures by Tory Fair
Christie LX-1000 10,000 lumen LCD controlled by Dataton Watchout 5
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
Two 7000 lumen LCD and two 5000 lumen DLP, edge blended and image mapped to irregular scenery
Controlled by Dataton Watchout 5
Produced by Emerson Stage
Directed by Benny Sato Ambush
Equipment: (2) 10,000 lumen LCD, (1) 6500 lumen LCD, (2) High End DL-2 Moving Head Projector, (11) Television
Controlled by Dataton Watchout 5
Media content included original news footage and research, graphic title screens
Produced by The Lyric Stage Company of Boston
Directed by Spiro Veloudos
One 10,000 lumen LCD and two 5000 lumen DLP projectors
Controlled by Dataton Watchout 5
Media content included extensive custom video footage
Produced by The Huntington Theatre Company
Directed by Maria Aitken
Two 10,000 lumen LCD projectors image blended to cover rear-projected backdrop utilizing first-surface mirrors
Controlled by Dataton Watchout system
Media content included custom Photoshop composites and original photography
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
One 10,000 lumen LCD and two 6500 lumen LCD projectors covering a 9’high x 42’ long rear projection screen with limited backstage space
Controlled by Dataton Watchout system
Media content included many Photoshop composites and motion graphics
Striking 12 by Brendan Milburn, Rachel Sheinkin, and Valeria Vigoda
Produced by SpeakEasy Stage Company
Directed by Scott Sinclair
Three 4000-5000 lumen projectors mapped to irregular surfaces
Controlled by Dataton Watchout system
Media content included extensive motion graphics and original photography
Produced by Emerson Stage
Directed by Melia Bensussen
Associate Director Benny Ambush
Two 10000 lumen LCD projectors image blended
Controlled by Dataton Watchout system
Media content included Photoshop composites, motion graphics and a short film
Produced by the Boston College Theatre Department
Directed by Stuart Hecht
One 12000 lumen LCD projector mapped to moving scenery
Controlled by Dataton Watchout system
Media content included live camera feed, numerous Photoshop composites and Brechtian title screens
Produced by the Gordon College Theatre Arts Department
Directed by Jeffrey Miller
One pair of 5000 lumen DLP and one pair of 5500 lumen DLP projectors image warped and mapped to curved front surface
Controlled by Dataton Watchout system
Media content included live camera feed, original photography, and custom motion graphics
Produced by The Boston Conservatory at Midway Studios
Directed by Paul Daigneault
Two 5000 lumen DLP projectors and one 4500 lumen LCD projector mapped to scenery
Controlled by Dataton Watchout system
Media content included extensive live camera feed, original photography, custom motion graphics, and a short film
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
Two 5000 lumen DLP projectors mapped to scenery
Controlled by Dataton Watchout system
Media content included custom motion graphics from After Effects, Photoshop captioning and composites, Illustrator graphics
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
Three 4000-5000 lumen DLP projectors mapped to scenery
Controlled by Dataton Watchout system
Media content included live camera feeds, pre-recorded videos, custom motion graphics from After Effects and particleIllusion, Photoshop captioning and composites
Produced by the Brandeis Theater Company
Directed by Eric Hill
Two 5000 lumen DLP projectors, image-blended to create 32'W x 14'H backdrop
Controlled by Dataton Watchout system
Media content included extensive Photoshop composites and subtle After Effects motion graphics to create abstract backgrounds
Produced by the Brandeis Theater Company
Directed by Adrianne Krstansky
Two 5000 lumen DLP projectors mapped to curved side screens
Two double-stacked 5000 lumen LCD projectors on central screen
Media content included live camera feeds, pre-recorded video montages, custom motion graphics, and extensive Photoshop composites